Karnataka RDPR Minister Priyank Kharge has criticised Italian fashion giant Prada for selling Kolhapuri-style chappals at a steep Rs 1.2 lakh, urging stronger support and global recognition for local artisans, especially those from Belgaum, Bagalkot, and Dharwad.
Reacting to the row on X, Kharge said that the legacy of craftsmen must be celebrated, not overshadowed by global fashion houses. “So, Prada is selling what are essentially Kolhapuri chappals for Rs 1.2 lakh a pair,” he wrote, adding that artisans from North Karnataka deserve not just credit but fair pricing, exposure, and dignified livelihoods through cultural entrepreneurship.
He emphasized that many of the traditional Kolhapuri chappal makers hail from Belgaum and surrounding regions. Kharge also revealed that he played a role in ensuring the GI tag for Kolhapuris was granted jointly to Karnataka and Maharashtra. “It was never a state-versus-state issue—it was always about preserving a shared legacy,” he said. “While the GI tag grants legal rights, the real responsibility lies in providing these artisans with a global stage.”
Prada’s Spring/Summer 2026 show at Milan Fashion Week showcased ₹1.2 lakh “leather flat sandals” that closely resembled Kolhapuri chappals, sparking outrage over cultural appropriation.
The GI-tagged footwear—deeply rooted in India’s heritage—was showcased without initially crediting the artisans or its origin. Activist and designer Laila Tyabji criticised the move as yet another case of undervaluing Indian crafts at home while rebranding them as luxury abroad.
Facing backlash, Prada later stated the design was “inspired” by Indian craftsmanship and is not yet available commercially. The brand said it is open to dialogue with Indian artisan communities.
Meanwhile, legal expert Ganesh Hingare is preparing a case under the GI Act, terming it a violation of intellectual property and a cultural affront. Artisans from Belgaum, along with domestic brands like Bata and sellers across India, have raised concerns about the appropriation and glamorisation of a craft that has long been affordable and accessible in Indian markets.
